Cinema/ Movie Class

In the rampant consumer culture of America , every advertiser politician , and insurance sales bit would contend that money is the key to bliss . Americans relish the dream of the high life , and it reflects in their melody , movies , and TV shows . However , some artists still try to avert the vast pull of consumer culture and create art with the marrow that money is not re in ally the key to happiness . The holy subscribe to Citizen Kane shows the de servicemanizing influence of riches and deals with extremely an richesy man alienated from his colleagues and significant others , searching for something that money cannot buy . For Citizen Kane , a unproblematic collage of married life shows this alienation and the pretermit of hope suffered by the main character and illustrates the point that money cannot by wisdom or happiness , and that true wealthiness comes from the intellectIn Citizen Kane , Orson Welles created what is largely considered the greatest American film of all quantify . It certainly has one of the most famous quotes in cinematic history -- one word that sets the movie ship and paints an image of the larger than life man depicted on the screen : Rosebud Experimenting with overlapping dialogue deep-focus cinematography , chiaroscuro lighting , exotic camera angles oblique narratives from various points of view , the film depicts the total life of Charles Foster Kane and the erosion of his humanity under the immense weight and pressure of his personal wealthWhen the viewer first sees schoolboyish Kane , he is playing in the snow near his parents simple western home . From simple means to opulence , the film follows Kane as he is bit by bit alienated from romance , delight , life itself by the ossifying blanket of his money and the will to bureau that it breeds (Eyman and Gianetti , 1991 ,. 212 .

Little by little , Kane becomes rigid with age , gradually relinquishing the ideals he set to maintain as a childlike man . He becomes and artifact of his own wealth , an increasingly remote speck of humanity adrift in the vast halls of his palatial home , Xanadu . Though the film is adept with scenes of severe alienation and the futility of money in the face of human desire , a particularly powerful scene is the montage of Kane and his wife at the breakfast table over the days . Welles takes them from loving newlyweds to middle-aged hostility in slight than two minutesThe mise-en-scene of the montage shows the same setting and characters and how they evolve through the years . With a youthful looking Kane and his wife Emily , they fink their love for each other as any young lovers may . He even agrees to call in latterly to work to spend time with her . The surrounding room is luxe , but filled with plants and a large window that seems to alleviate the mood . After a whirlwind cut that suggests the passage of time , Kane and Emily still sit at the dinner table , though older and a bit colder . She politely asks why he spends so much time...If you want to get a extensive essay, order it on our website: Orderessay

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