ELIOT AND WILLIAMS

/ This is the dead of the e artworkh" (Eliot 2). However, the speaker hears that the mistakes made in intent come from being humans and that in order to be redeemed one moldiness evil. Sin comes from human desire and in order to distinguish redemption one must learn to be emancipate from desire by developing a higher make believe of love. This is the only path to redemption and the only way to be free from the shackles of the future ( ending) and the shackles of the past (memories our sins and our joys):

There are iii conditions which oft look alike

Yet differ completely, flourish in the same hedgerow:

Attachment to the self and to things and to persons, detachment

From self and from things and from persons; and, exploitation between them, indifference

Which resembles the others as death resembles life,

Being between dickens lives?unflowering, between

The live and the dead nettle. This is the use of memory:

For liberation ? non less of love but expanding

Of love beyond desire, and so liberation

From the future as well as the past.

In Asphodel, That Greeny Flower, sin is also a prerequisite to redemption. In Williams' poem, it is art that has redemptional power. Asphodel, a greeny flower, is the symbol for the speaker's artlessness and endurance.

Love is closest to art because to Williams' speaker love and the imagination add up to a wholeness, a oneness, "swift as the light / to av

Both speakers in each poem take in redemption through the accepting with imagination the journey of life that must necessarily include sin. A conscious sentiency of mortality and their own follies also makes each speaker understand the importance of striving for the light in the midst of what is often a dark journey. Nature, love, and transcendence of desire are themes familiar to both, while in the Eliot poem Christian imagery is evoked to suggest man's mortal self is so much a pile of dust, "Ash on an old man's sleeve / Is all the ash the burnt roses leave. / Dust in the air hang up / Marks the place where a story ended. / Dust inbreathed was a house - / The wall, the wainscot and the mouse / The death of hope and despair, / This is the death of air" (Eliot 2).

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