The language of the play is far more quick-witted and poetic than one would expect from the socioeconomic class to which the Wingfields belong. This is an level-headed family which is able to communicate itself well. At the same time, the language is down-to-earth. Its metrical composition is the poetry of the people, not the poetry of universities.
What Williams want to mainly express with his characters is their emotions, not ideas or theories. At the same time, when he necessitate to have an idea expressed, the language is able to express that idea. Tome, for example, expresses amicable and economic ideas in the opening speech of the play (1344).
that Williams' language is intelligent mainly because it is able to show these emotions, even so when the characters might not be trying to show those emotions, or even when they ar trying to hide their emotions. Laura does not want to show all her emotions to Jim, the gentleman caller, but her language reveals what she is
Of course, the play we argon about to contain is anything but sentimental. The use of images (on the screen and in the language) and music are wild-eyed and unrealistic and sentimental, but they are meant to be ironic. Williams is a realist in his portrayal of amorouss and romanticism. In other words, he loves the romanticism of his characters, but he knows that the world is not a romantic place. He knows that the harsh realism of the world result at last crush the romanticism of the characters. He is not making turn of his characters, or saying that they are mugs for being romantic in an unromantic world. He is saying that the person is a fool who thinks the romantic character in the world will not be crushed by reality.
Yes, I have tricks in my pocket, I have things up my sleeve. But I am the opposite of a stage magician. He gives you illusion that has the coming into court of truth. I give you truth in the pleasant camouflage of illusion (1344).
The dramatic question is not whether or not such a character as Laura will find tragedy, but when. If she is able to never try to find desire in the real world, then there is at least a chance that she will not meet a tragic end. But when Tom sets up the encounter with Jim, that tragedy is made inevitable. Laura is not made to survive as a romantic in the real world.
Laura is the main character because Williams wants to show that the world is too harsh for the most tender and unguarded of human beings. If we remember the theme of the story, we will understand that Laura will have to be left destroyed. To remain true to his theme, Laura essential have her fragile illusions left in ruins.
There are four characters in the play. Amanda is the mother of Tom and Laura. Jim is Laura's gentleman caller. Laura is the main character in the play, although Tom plays an important part in narrating the play and also in grounding the play in some sort of reality. Amanda and Laura are the most purely romantic of the characters. Ji
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