Analysis of Antigone Deals with the Oedipus Myth

She notes that Freud may even apprize that the girl's positive Oedipus complex does not exist at all, and that if it exists, it is an subscribe replica of her relationship to her mother. Chasseguet-Smirgel feels that Freud believes the father to be much to a greater extent important in general for the boy than for the girl, only if she excessively finds that Freud never intended his views to be final and always further his disciples to continue to explore.

It would be well to consider the relationship between Antigone and Oedipus for what it says about the development of femininity, here in the view of Sophocles. The totality of the Oedipus myth revolves around personal responsibility in the Hellenic conception. Even though Oedipus appears to be the victim of a serial of circumstances so that what happens to him should be no fault of his own, in the classical view this is not the case. The structure of the three plays by Sophocles shows that Oedipus should have known even if he did not and that his self-control in the face of growing evidence as to his crime leads to his downfall. Antigone appears with her father in the three plays by Sophocles in the second, after her father's crime has been revealed, and she offers her loyalty and aid to this blin

Benjamin, Jessica. The Bonds of Love. New York: Pantheon Books, 1988.

We must remember that we be two women

Gilligan specifically discusses the issue in terms of the development of a example sense, and Antigone's actions are certainly those of an individual who has a strong lesson sense and who intends to assert that honourableity at all costs. Gilligan agrees with Freud that the object lesson sensibility of women differs from that of men, though she differs from him in terms of her view of the beginning of this difference. Freud explains it in the construction and resolution of the Oedipal problem. Gilligan sees the development of a clear feminine moral sense in the way women are treated in society more than in their workings out of an Oedipal problem and that women are excluded from direct participation in society.

Jocasta stands by as Oedipus rules. Gilligan points out that the essence of a moral decision is the exercise of quality, coupled with the willingness to accept responsibility for that choice:

Chasseguet-Smirgel, Janine. "Feminine Guilt and the Oedipus Complex." From Female Sexuality: New psychoanalytic Views by Janine Chassuguet-Smirgel. London: Karnac Books, 1988.

Antigone's wisdom contrasts with the stubbornness of Creon and the cowardice of Ismene, but Antigone will be destroyed even though what she is doing is the proficient thing according to the gods. She is also required to rifle up to the laws of society, and even tough the two conflict, the individual is expected to live up to both. Death requires acknowledgment, and this is why Antigone insists on burying her brother, from respect. Creon suffers for his blaze as well by the death of his son. In the Greek view, there is always divine retribution for sin. Antigone does challenge the internal order in the state even though she is right, and so she is punished even though we might find that she has nifty reason and so is not culpable. This is not so in the Greek view.

The men whose theo
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